My visual language is spontaneous and direct. It aims to give immediate emotional access to the viewer. Most of my projects use a degree of candid observation, regardless of genre. So I often shoot outdoors, in real-life environments, or using natural light. I love mixing rational and irrational (ie elements of chance) by focusing on capturing my experience of meeting with a person, a place or a situation. I believe this parallels everyday human experience, in which attention constantly shifts, and observed things slip in and out of peripheral vision. As a result, my photographs are full of ‘imperfections’ that define vernacular. I want the audience to feel free to interpret my open-ended stories in their own way that fits their realities.”
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